Supply Studies

I am pleased to share that Manifest has been awarded a Digital Humanities Advancement Grant from the National Endowment for the Humanities. We will be using the grant to further develop the research network around Manifest and build more comphrensive curriculum materials for the critical study of logistics in the humanities.

Photographs of vinyl sheets and cardboard inserts in awkward approximation of absent goods are mocked by some, but suggest to others signs of deliberate subterfuge. Even mundane maritime maps are assembled as evidence of – commenters claim – countries “under attack.”

An interactive sample of tweets that show some of the social media discourse around the supply chain crisis.

Here the manifest becomes an accounting of injuries. I think this provides a better model for unraveling the global supply chain than transparency. Rather than allow transparency to remain as a form of corporate responsibility, with “mapping the supply chain” an exercise in corporate power, “making out its manifest” might now attempt to account for our value, and our injuries. It records the places where labor has been exploited, where the earth has been plundered, where waste overruns into rivers, and poison bleeds into the air. It is not a proclamation from on high, but an admonition from below. Not an attempt at supply chain resilience, but an opportunity for supply chain reconciliation.

Assembly Codes examines how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media, while demonstrating that media technologies are central to its operation. In charting the specific points of contact, dependence, and friction between media and logistics, it argues that one cannot be understood apart from the other.

Merging visual representation with textual listing, the mail-order catalogue brought the anticipation of availability to the work of supply. As it did, it crystalized the expectations of capitalism for contemporary consumer culture. This essay surveys some examples of this form around this moment of transformation: as the catalogue form gave way to the catalogue function, and the raw stuff of supply transformed into an operative relation—an ontological object defined not by material presence, but by the potential for supply.

This article interrogates the emergence of the supply chain, and the logistical modes of operation it entails, as metaphor for managing the digital distribution of data – adapting approaches from the critical study of logistics in order to re-incorporate the political, social, and environmental attachments that ‘digital supply chains’ attempt to obfuscate.

The history of a product is told by the marks of its making. The stamps and seals of an object once encoded an originary identity connected to an individual craft hall and craftsperson, promising that an object had been “made in” Sheffield, for example, or Solingen. But beyond these obvious indications was the language of assembly itself: The unfinished sides, unraveled threads, and slips of hammer and chisel that until recently marked our manufacture. Heavily accented and regional, this was a kind of communication visible to all but comprehensible only to craftspeople. These were the human signs of production.